Commentary |
The Feminization of the American Jewish Community After
Sally Priesand
became the first
female American rabbi
, more than 350
American women
have become rabbis
in the Reform,
Conservative, and Reconstructionist movements. For years, the issue of women’s
ordination was discussed at meetings of numerous Jewish organizations
and in the Jewish
press
.
These discussions were conducted by men only because women were absent
from Jewish organizations and did not write in Jewish newspapers
. Not until 1920,
after World War I, did women themselves begin to agitate for the right to
ordination. This was the time when American women of all ethnicities began to
demand access to colleges and universities and sought to become professionals. Yet,
already in 1889 Mary M. Cohen
wrote an essay on
the front page of The Jewish Exponent.
Cohen raised the question of whether women
could become rabbis
. By the 20th
century, Conservative Jews
were also
discussing this possibility, although none were ready to follow Reform until
much later. Theoretical debates concerning women’s ordination continued among
professors at seminaries, rabbis, members of Jewish organizations
, and members of
Jewish sisterhoods
. In
the early 20th Century the National Council of Jewish Women was
formed, as was Hadassah, the Hebrew
name of Esther.
Both organizations paved the way for the participation of women
in the all male
Jewish institutions, including the rabbinate. The
Conservative movement is based on the assumption that Jewish law
is evolving.
Therefore Conservatives
are willing to
change the law. Nevertheless, the
dispute concerning women
’s ordination led
a number of Conservative scholars to leave the Conservative movement and start
their own organization. The first change approved by the Conservative
“Committee on Jewish Law and Standards
” allowed women to
count as part of a quorum (Minyan) of ten Jews needed to hold a prayer service.
Yet, one year later, the committee voted against allowing women to become rabbis
or cantors
(singer). In 1977,
the Conservative Rabbinical Assembly
and the Jewish
Theological Seminary
founded a
Commission for the Study of
the Ordination of Women. Within a year that commission reported that
there was no law preventing women from becoming rabbis. That report was shelved
by the Rabbinical Assembly as the controversy continued. Then in October of
1983, Rabbi Gershon Cohen
, Chancellor of the
Jewish Theological Seminary, asked the faculty to vote on the issue. The faculty
approved the admission of women to the Rabbinical Seminary
and women were
admitted . Consequently, women were also admitted to the cantorial school. The
Reconstructionist movement was founded by Rabbi Mordechai Kaplan
, whose book Judaism
as a Civilization laid the foundation for this movement. This
book is heavily influenced by the scientific study of religion
, as found in the
books and other writings of sociologists. There was no dispute among
Reconstructionists when women
were accepted into
the Rabbinical College, since the movement was founded on the assumption that
men and women have equal rights. The first female rabbi
graduated from the
Reconstructionist Rabbinical College was Sandy Eisenberg Sasso
, who was appointed
Rabbi of Beth-El Zedeck in Indianapolis in 1977. The
American Orthodox movement does not admit women
to the rabbinate.
However, there are a few women who claim to have been ordained by an orthodox
rabbi
in Israel
. In this country,
Mimi Feigelson
studied with Rabbi
Shlomo Carlebach
and was ordained by
three rabbis
after the death of
Carlebach. Those
who refuse ordination for women
argue that it
originated with Moses and was passed down only to men. This sounds like the
Catholic argument for refusing to allow women to become priests. Despite
this opinion, there are orthodox
rabbis
who see no reason
either in Jewish law
or for any other
cause for preventing women
from become rabbis.
In fact, some highly respected seminary scholars agree that there is no barrier
for the ordination of women other than private disdain. Women
Cantors On
February 12, 2009, a Colgan Air plane crashed into a house in Clarence Center,
New York
, killing all 49
persons aboard and one person in the house. The plane had come from the Newark,
New Jersey airport and was 5 miles
from the Buffalo airport when the engine stalled. The pilot, poorly trained,
made a major error in attempting to recover from the stall. His actions and
those of the co-pilot made the stall worse so
that the plane crashed. Among the dead was Susan Wehle
, the cantor at
congregation Shir Shalom (Song of Peace) in Amherst, New York, a suburb of
Buffalo. Susan Wehle
was one of the
earliest female cantors
to serve Jewish
congregations throughout the United States. Wehle was the daughter of two
Holocaust
survivors and had
two sons. She was 59 years old when she died.
The entrance of women
into the profession
of cantor was far easier to attain than was true of rabbis
, as women in the
rabbinate had already “paved the way” for women to be admitted to cantorial
schools such as the cantorial school of the Jewish Theological Seminary
or the Debbie
Friedman School of Sacred Music at the Hebrew
Union College
in Cincinnati. Women
Cantors who are Composers In
1982, the Women Cantors’ Network
was founded. This
meant that a good part of the sacred music used in Jewish services had to be
rewritten to suit women
’s voices. There
are several women cantors
who have written
cantorial music for women. Among these is Cantor Benjie Ellen Schiller
. She is professor
of Cantorial Arts at Hebrew
Union College
. She composed
“Hallelujah Psalm 30” and a new “Oseh Shalom.” She also wrote “May you
live to see your world fulfilled,” sung at bar/bat Mitzvahs and “Zeh Dodi,”
sung at weddings. Cantor
Natasha Hirschhorn
is music director
at congregation Anshe Chesed in New York
City and is on the
faculty (Latin: facultatem or power to do) of the Jewish Theological Seminary
. She composed a new
“Oseh Shalom” and “God Was in this Place and I Did Not Know It.”
Cantor Robin Sherwin
is both cantor and
rabbi
. She plays with a
popular band and is a leader in the Women’s Cantor Network. Together with
cantor Marci Witkins
, she wrote “Atah
Kadosh” or “You are Holy,” and “Love Your God.” Cantor
Rachelle Nelson
directs the “In
the Spirit Music Foundation,” which encourages writing new inspirational
cantorial music. She is a graduate of the Hebrew
Union College
School of Sacred
Music. She has composed a thanksgiving song called “Modim Anachnu Lach,”
which is sung at Thanksgiving in November. Cantor
Beth Styles
is a composer of
Jewish music. She is also a producer of Jewish CD’s. Her songs include.
“Grateful,” “Light These Lights,” “Mi Shebayrach,” “Shehecheyanu,”
and numerous others. Cantor
Lisa Levine
is a songwriter and
recording artist who has been writing songs for over thirty years. She has
combined yoga and Judaism in some of her music. Ellen
Allard
is a well known
children
’s composer . She
wrote “Holy Holyness,” which can be performed by three year old children.
“I Feel Like I am an Angel” and other works for children make her popular as
a cantor in residence at numerous synagogues
. The
Women Cantors’ Network
has published a
songbook by women
cantors
.
There are today, in 2020, several hundred women
cantors
. Their duties are
considerable and exhausting. In Conservative synagogues
the Sabbath
service begins at
9 a.m. and concludes three hours later, at noon. Reform services are
shorter, lasting about 90 minutes. In Conservative synagogues the cantor recites
all prayers in a Hebrew
chant interrupted
by a few English prayers, which the congregation recites together. Likewise,
several hymns are sung by the congregation and led by the cantor, not the rabbi
. The Conservative
prayer book is opened from the right, as Hebrew is written from right to left.
The prayer book has a left hand page which translates the service into English.
Most American Jews
do not know Hebrew,
a Semitic language, related to Arabic and Aramaic. Aramaic was spoken by
Lebanese Christians until most were driven out of Lebanon by the Muslim
majority. American
Jews
usually know the
meaning a few of the Hebrew
prayers but are
therefore forced to read the English side of the prayer book or recite the
Hebrew, which they can read without understanding the contents. Evidently,
Conservative cantors
must know Hebrew
well enough to sing in that language. Reform
cantors
sing the same
melodies as Conservative cantors, however abbreviated. This is also true of the
reading of the Hebrew
Bible or Torah
. In Conservative
congregations, either the cantor or a layman, and sometimes the rabbi
, chant a segment of
the Five Books of Moses
, reading the entire
Five Books in the course of a year. A layman with Hebrew knowledge recites a
segment of the Prophets
, such as Isaiah,
Jeremiah, Amos, etc. while the congregation follows in English. In the course of
the service, the American rabbi delivers a sermon. European
rabbis
spoke rarely. They
were concerned with the interpretation of Jewish law
and the study of
the Talmud
and were appointed
because of their scholarship. This is still true among some American orthodox
rabbis, but is rare
among the Conservative and Reform rabbis. The
chant and the songs in synagogues
around the world
are usually the same everywhere. This is true because of the dispersion of the
Jewish people as the consequence of the persecution
in Europe. From
England
to Australia, from
San Francisco to Florida and everywhere where Jews live, the melodies written by
Cantor Louis Lewandowski
and Solomon Sulzer
are sung. These
composers wrote only for the male voice, so that women
cantors
need to adjust the
music to their needs. Today, hundreds of women cantors learn these melodies,
which made some male cantors famous and led some into operatic careers. Lewandowski
(1821 – 1894) was a talented musician. He was the music director of The New
Synagogue in Berlin. This synagogue, like all synagogues
in Germany and
Austria, were burned down by the
German government on the night of November 9-10, 1938. He was the first Jew to
be admitted to the School of Composition of the Berlin Academy. Lewandowski’s
students became prominent cantors
and, like the great
Italian opera composer Giuseppe Verdi, founded an Institute for Aged and
Indigent Musicians. Solomon
Sulzer (1804-1890) was born in
Vienna, Austria. In 1826 he was appointed chief cantor in Vienna, as his
reputation as composer and singer had made him famous. Sulzer introduced choir
music, as no synagogue had any organ or other musical instrument because the
rabbis
had ruled that no
music should be played, in commemoration of the destruction of the Second Temple
in Jerusalem by the Romans
in the year 70.
Sulzer was named “The Father of the Modern Cantorate” after he wrote and
sang music for cantors
with choirs and as
soloists. Women
cantors
in the 21st
century learn the contributions of Lewandowski and Sulzer not only because of
their prominence but mainly because the songs and hymns of these men are very
familiar to Jewish congregations whose members have no idea who composed this
music. This ignorance is not surprising. Few Americans know much about the
history of their religion. Most people who attend religious events know only how
to recite a few prayers and are otherwise not interested in religion. There are,
however, a few cantors who became opera stars and therefore expanded their
audience immensely. The oldest of these super-cantors was Joseph (Jossele)
Rosenblatt
(1882-1933). He,
and several other cantors with operatic voices, became role models for the
profession and therefore influence both male and female cantors to this day
(2020). Of course, the average American Jewish congregation cannot afford such
superstars, although some congregations in New York
, Toronto, Chicago,
and San Francisco have cantors who deliver vocal concerts on any Saturday as
good as any concert by professional singers of all ethnicities sung on the concert stage. This
means that much is expected of women
cantors who, like
their male colleagues, “stand on the shoulders of giants.” Rosenblatt
was born in the Ukraine and began his career as a cantor when he was only 12
years old. His father was a lay cantor from who he learned a great deal. As an
adult, Rosenblatt served in several eastern European cities and became cantor in
the great synagogue in Hamburg, Germany, before leaving for New York
in 1912, where he
was appointed cantor by a wealthy orthodox
congregation. It
did not take long before Rosenblatt was offered opportunities at the
Metropolitan Opera, which he turned down because he was unwilling to sing on the
Sabbath
or Jewish Holy
Days, and also because he wore a beard and a skullcap
at all times. He
did give concerts all over the United States, and was acclaimed by other singers
such as Enrico Caruso, then the star of the opera. Rosenblatt dominated the
cantorial profession in America until his death in 1933. Thereafter old
recordings of his voice have been “cleaned up” by removing all background
noise, so that his talent is still alive in 2020. Richard
Tucker
(1913-1975), the
son of Yiddish
speaking immigrants
, was born in
Brooklyn, New York
. His unusual voice
led to an appointment as cantor in Temple Emanuel in Passaic, New Jersey, and
later to an appointment at a large congregation in the Bronx, followed by a move
to the prestigious Jewish Center in Brooklyn. His brother-in-law, also a cantor,
had been recruited by the Metropolitan Opera Company
. Tucker studied
operatic singing with a renowned music teacher and then entered the Metropolitan
Opera Company “Auditions of the Air.” He did not win but was nevertheless
offered a contract by Edward Johnson, manager of the Metropolitan Opera. That
was in 1945. He then had a 30 year career with that opera as the leading tenor,
singing Italian opera. After his death, his friends and admirers sponsored a
monument at Richard Tucker
Square adjacent to
the home of the Metropolitan Opera Company at Lincoln Center. Jan
Peerce
(1904-1984) was
Jacob Pincus Perelmuth until his operatic career led to his new name. He was
born in New York
of a poor immigrant
family. He grew up on the lower east side of Manhattan in an all Jewish
neighborhood. In 1932 he was hired by Radio City Music Hall as a tenor soloist
after studying singing with Giuseppe Boghetti. When Arturo Toscanini heard him
on the radio, Toscanini, the conductor of the NBC Orchestra, asked him to sing
at several concerts. That led to his appointment to sing at the Philadelphia
Opera, and in 1941 he began his career at the Metropolitan Opera. Although
Peerce was never a congregational cantor, he recorded a great amount of
synagogue music
which became most
popular in the Jewish community and can be accessed to this day. He therefore
became a role model of what a cantor can be. The
first female cantor in Jewish history was Betty Robbins. In July of 1955 she was
appointed by the trustees of Temple Avodah in Oceanside, N.Y. as cantor. She
therefore shattered five thousand years of Jewish tradition
. She was inspired
by recordings of the voice of Jossele Rosenblatt
. First she became a
soloist in a boys’ choir for six years. Married to an American soldier in
Australia, she came to the United States in 1944. Her
appointment as cantor became a sensation in the Jewish and secular press. The New
York Times published a front page article on August 3, 1955, recalling that
there was no religious law but only tradition
which excluded
women from becoming cantors. In
1982, Cantor Deborah Katchko Zimmerman
founded the
Women’s Cantors Network
. Zimmerman was the
granddaughter of a cantor and the daughter of a cantor. Her father trained her
to become a cantor. Although only two women cantors attended its first meeting,
it now has over two hundred members. The network is a source for employment of
women and also provides concerts by women cantors who often introduce new music
composed by them. Women
rabbis and women cantors
are an important
stimulus for the liberation of Jewish women from their erstwhile role of helpers
and adjunct to men. They were the catalyst giving Jewish women the impetus to
become officers of Jewish congregations, major contributors to Jewish community
organizations, and finally elected politicians, as governors, senators, and
representatives of the United States. Gender
Equality in the Jewish Community It
seems ridiculous and petty for women executives at Jewish non-profits to make an
issue of the title CEO (Chief Executive Officer
), generally awarded
to men, while women in similar positions are usually called Executive Director
. The disputes over
a title demonstrates American anxiety concerning prestige over achievement.
Albert Einstein
had no title, nor
did Beethoven or Leonardo da Vinci. They and others like them had a monopoly on
themselves, such as the remark “I am no Einstein.” In American culture
, however, labels
mean a lot, and so
Ivy Harley, the executive director of the Jewish Community Center of Wilmington,
Delaware, demanded that her title be changed to CEO. Likewise Gail Cooks
, founding executive
director of Leading Edge, demanded to be called CEO because she believed that
people would not take her seriously without
this title. There
are in 2020 a number of Jewish women who have assumed positions once reserved
for men. Brent Saliman
was president of
the Wilmington, Delaware Jewish Community Center. Judith Rosenbaum
is the CEO of
Jewish Women’s Archive, and Jamie Allen Black is CEO of the Jewish Women’s
Foundation of New York
. Some
women have also been appointed CEO’s of Jewish Federations
. Naomi Adler
is he Chief
Executive Officer
of the Jewish
Federation of Greater Philadelphia, PA. That
community is the home of over 351,000 Jews. Therefore the Federation of that
community is one of the largest in the country. Nevertheless, the salary of
Naomi Adler
is only $433,371
according to Charity Navigator
. Evidently the
Jewish community is to be credited for appointing women to responsible
positions. However, the gender gap in salaries is glaring. The Cleveland, Ohio
Jewish Federation has appointed Erika Rudin as executive director at a salary of
$557,189 Arlene Miller is the CEO of the Orange County, Cal. Federation at
$222,508 and Sara Wagner heads the Jewish Federation of Louisville,
Kentucky at $177,500. Women are more likely to be appointed as CEO’s in
smaller Jewish Communities where the salaries are less than in large communities
because the contributions are of necessity less. John
S. Ruskay
, the CEO of the
United Jewish Appeal of New York City, is paid $3.151 million ($3,151,000)
annually. No doubt the Jewish population of New York is larger than that of any
other American community. That is also true of poverty
among New York
Jews. Those who give Mr. Ruskay this huge amount of money argue that only
someone paid that much has the skill and competence to raise large funds in the
New York community. That is spurious since it implies that Federation executives
who earn a lot less are less competent. The fact is that the size of the Jewish
community controls executive salaries
, not competence.
The salary of the executive director of the Buffalo, NY Jewish Federation is
$205,000. Yet, Robert Goldberg
, the Buffalo
Federation executive, is an unusually talented executive with many years’
experience within Jewish organizations and has an sincere interest
in helping the needy Jews in Western New York. He earns so much less that
Ruskay because Buffslo has only 10,000 Jews. Women also
earn less, either because they work in small Jewish communities or
because of gender discrimination which still plagues the American Jewish
community. The
Ascendancy of Jewish Women in the 20th
Century Although
the entrance of women into the Jewish clergy was the most dramatic event in the
feminization of the American Jewish community, there are Jewish women who
defeated the so-called “glass ceiling
” as early as the
1950’s. An
outstanding example is the career of U.A. A refugee from the German Nazi
horrors, she came to the United States at age ten. Her father had preceded the
family by coming to America when a relative paid for the the father only
and submitted an affidavit of support to the Immigration and
Naturalization Service
only for the father
but not his family. U.A.’s father had been sent by the Hebrew Immigrant Aid
Society to a small southern town because a Jewish owner of a dairy was willing
to employ him. Once arrived in America, U.A. learned English in six months and
continued there until her father moved the family to a large Ohio city, where he
found work in a defense plant during the Second World War. U.A. was then
fourteen years old. At that time, she decided to earn enough money to eventually
go to college. She therefore worked nights in a factory. The employer needed
help, as almost all men were in the armed forces, so that he “believed” U.A.
was sixteen years old. U.A. then went to high school in the daytime and worked
in the factory during the night. She saved her money and upon graduating from high school was
admitted to a university some miles from her home. Her parents were adamantly
opposed to her entrance into higher education
. “Refugee girls
should become typists,” said they. “Refugees have no business in a
college.” U. A. went alone just the same. Her money was enough to pay for
tuition and a room but not enough to eat. She therefore worked occasional jobs
for other students and professors in exchange for food. After one academic year
she spent the summer at home. There she met a twenty-two-year-old college
student who was a veteran and therefore enjoyed the aid of the Servicemen’s
Readjustment Act
, also known as The
G.I. Bill of Rights. He too, was a Jewish refugee. Shortly they became engaged
and married two years later. Meanwhile U.A. finished another college year. Once
married, she and her husband moved from city to city four times before the
settled in a midwestern town. By then, U.A. had graduated from college by
transferring credits from colleges in any town where she lived,, however
shortly. She therefore won a scholarship to enter an exclusive women’s
college, where in two years she earned an M.S.W. (Master of Social Work
) degree. Because
the B.A. in social work did not exist until years later, M.S.W.’s were in
short supply and could “write their own ticket” to work for any social work
agency they wished. U.A. therefore accepted a job with a well-known social work
agency and hired a babysitter to watch the three children they and her husband
had produced. As the children became older, U.A. added to her normal employment
several part time jobs, teaching in a number of colleges and consulting in
nursing homes. She worked almost day and night, saving her money while her
husband supported the family. After several years of such an overload she was
accepted to earn a doctorate at the local university. She therefore opened a
private practice as a psychotherapist, worked part time as a nursing home
consultant and wrote a dissertation after finishing course work, all at the same
time. Years went by as she and her husband worked full time and part time jobs
becoming millionaires several times over. In short, U.A. came from total abject
poverty
, a persecuted child
without an education and no money, to a lady with three college degrees and
millions in the bank. Included
among Jewish women who have
promoted the feminization of America and that of the American Jewish community
is Supreme Court
Justice Ruth Bader
Ginsburg
. A graduate of the
Columbia University
Law School, she
began her career as an advocate for the equal and fair treatment of women. She
joined the American Civil Liberties Union
and participated in
the Women’s Rights Project. This activity led to her appointment by President
Carter to the U.S. Court of Appeals
and her appointment
by President Clinton
to the Supreme
Court in 1993. Ruth
Bader was born in Brooklyn on March 15, 1933. She grew up in a poor working
class environment. Her mother worked in a garment factory so she could pay for
Ruth’s brother’s college education
. Then her mother
died of cancer on the day Ruth graduated from high school. In
1954, Bader earned her B.A. degree in government from Cornell University,
finishing first in her class. She then married a law student,
Martin Ginsburg . Ruth and Martin had one child. Together they enrolled
in the Harvard Law School
, where she was one
of nine women among 500 students. Although accused of taking the places of
qualified men and hearing sexist remarks from the dean, Ruth became the first
woman to ever become a member of the Harvard
Law Review editors. She transferred to the Columbia Law School
in New York,
because Martin had graduated and accepted a position at a New York law firm. On
graduation, she taught at the Rutgers Law School in New Jersey, and then became
the first tenured female law professor at Columbia. She also joined the American
Civil Liberties Union
, and argued six
cases before the U.S. Supreme Court
. She won five of
these cases and was then appointed by President Jimmy Carter
to the Court of
Appeals for the District of Columbia. Then in 1993, President Clinton
appointed her to
the U.S. Supreme Court
. On the court she
has favored gender equality, the rights of the poor, and the separation of
church and state. In 1996, she
wrote the important decision United States
vs. Virginia, which would no longer allow the Virginia Military Institute
to exclude women.
In 1999, she was awarded the Thurgood Marshall Award for her fight for civil
rights and gender equality. The
voters in the presidential election of 2000 delivered a tie between Al Gore, the
Democrat and George W. Bush
, Republican. The
Supreme Court
majority
“elected” Bush, but Ginsburg dissented. In more recent years, Ginsburg voted
to allow men to marry men
in Obergefell
v. Hodges. In 2018, the documentary film RBG
premiered. Then in 2016, her book My
Own Words became a New York Times
bestseller. There
are undoubtedly some who disagree with Ruth Bader Ginsburg’s opinions and
decisions. Yet, it is hardly possible not to agree that she was a heroine of the
civil rights movement, a prominent figure among the great Americans of any
generation and the very model of Jewish feminism in the 21st century. Some
would say, “Only in America,” and that is true. Nevertheless, few have the stamina, the courage, and the
strength to achieve so much in a lifetime.
Indeed, there are Americans of all ethnic and religious backgrounds who
have done the same, because that which makes America great is not that
everything is free and given away, but that it is the land of opportunity for
those willing to work. The feminization of the American Jewish community, or America generally, did not begin in the 21st century, nor did it begin in the 20th century. It began when millions of immigrants sailed into New York harbor and saw the Statue of Liberty erected as a gift from France in 1886. Inscribed on the statue is a poem by the Jewish American Emma Lazarus (1849-87). She lived too soon to experience the Nazi horrors or the Russian persecution. Yet she knew what America meant for those who were coming day after day to escape the slavery and cruelties of the old world. Women, even more than men, saw the statue and wept with joy to have escaped hell and arrived in heaven. The poem which Lazarus had composed was attached to the statue, but could not be seen from the ships bringing the immigrants. Most of them could not have read the English language. Yet, the sight of that statue aroused these foreigners and brought them to tears and shouts of joy. They were free and welcomed despite their ignorance, their poverty , and their utter exhaustion from traveling so long across the mighty Atlantic. The immigrants could not read what Lazarus had written, but Emma Lazarus , although born in America, understood why the immigrants had come. Her poem, “The New Colossus,” includes these famous lines: “Give me your tired, your poor, your huddled masses yearning to breathe free, The wretched refuse of your teeming shore, Send these, the homeless tempest tossed to me, I lift my lamp beside the golden door.” Shalom u'vracha. Dr. Gerhard Falk is the author of numerous publications, including 30 books and 45 journal articles. |
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